Aug 4, 2015

Portraits

You hide your insecurity behind black eyeliner and strong opinions.

You carry your mother's pain. 

You bear the burdens of slow death and suicide, somehow, impossibly, with a smile.

You find solace in the vastness of the desert sky. 

You escape into silence. 

You have stomped all over the bullies of your childhood in heavy black boots and metal and ink. 

You have never escaped the bullies of your childhood.

You send out only positive vibes.

Your art is both hindered and helped by your mental illness.

You found yourself when you left this small town behind.

You are afraid that no one will love you, but you're wrong.




  

Jul 21, 2015

It's all about the balance. (Ah well, and riot on.)

I think I'm a pretty self-aware individual. In order to know others, one must first know oneself, and I am infinitely interested in knowing (and understanding) others. Humanity is fascinating, in all its violence and tenderness. I know my strengths, and I know my weaknesses, and I try not to be apologetic about either.

My astrological sign is, appropriately enough, Libra. The scales: the symbol of my life philosophy and of the way I think and behave, both consciously and unconsciously. It's almost enough to make one believe in a cosmic order. But celestially-influenced or not, my life really is all about the balance:

I believe in equality.

I enjoy things, but I am not fanatical about them. I am fundamentally unable to understand the drive to covet, to hoard, to consume something in its entirety. Fanaticism tips the scales, and my scales don't like being tipped.

I am an omnivore.

I can see both sides, almost always. And if I can't, I try. (This does not mean that I can't be hurt, but I will always try to understand.)

When a relationship is more work than fun, I think nothing of divesting myself of that person. I have been accused of being cold and unfeeling for this behaviour, when in reality I am simply maintaining the emotional balance. I can be no other way, any more than my fanatical friends can stop themselves from being fanatics.

I like rectangles and symmetry and parallel lines.

I believe in accepting our differences, but I also want to change the world. I want to impose my sense of order as much as I want to let you do your own thing.

I am bitter and caustic, but also considerate and kind. My optimism and my cynicism are constantly at odds with each other.

It's a hell of a lot of work, truth be told, balancing these opposing desires. Sometimes I wish I could just stop struggling and give in, let one side slam down and the other fly up. Maybe wear a one-sleeved tunic or something. I know I never can, though, because it's all about the balance.

 


 













 

Jun 22, 2015

Photographs

As a child, I delighted in hauling out the old leather-bound album and seeking myself. Is this me? This is me. This is me, a naked baby in a sink full of water, laughing. This is me, standing beside a bicycle amid fallen autumn leaves, holding a boy's hand. This is me in a school photograph, with a cold sore on my lip and a purple ribbon in my hair. 

Today, that fascination has not waned. This is me, posing in front of the mirror in my leopard-print bra. This is me, drinking sangria on a patio with friends. This is me in front of a famous monument in a foreign city. I know that this is me, because I took these photographs. I never tire of looking at myself, especially at the myself I have created, deliberately, with care.

We used to take photographs for ourselves, to remind ourselves of people and of moments. We would say cheese and hope that our eyes were open. (And if they weren't, we put those photographs into albums anyway, because they were all we had to remember those moments by.)

We did not take a photograph with the knowledge that it would be shared with anyone other than the other people in the photograph, and sometimes not even with them. Photographs were private, pasted with care into albums to remind us of our own stories with the turning of a page: the birthday parties and graduations and weddings, the family vacations, the laughable fashions and dated hairstyles, the prints on the wallpaper and the patterns on the furniture. Sometimes we would frame them, the really good ones, tack them to a mirror, stick them on the front of the fridge with a magnet, to remind ourselves of those moments. 

We did not take a photograph and then immediately inspect it for flaws, discard it like an inferior fish because the angle or the expression was not quite right, take another. And another, and another, until all parties are satisfied and that ephemeral moment, which was lost immediately after we threw back that first fish, is caught.

Now we take photographs not for ourselves but to create ourselves for others. 

We take photographs to share. We take photographs and then upload them to any number of websites so that family, friends, acquaintances, strangers, can peek into our lives and express approval. Everything is beautiful and fun, or deliberately ugly. There is purpose to the things we share, purpose beyond the preservation of a moment. Today we are all artists (albeit often without training or a creative eye), and our artistic goal is to create images that reflect who we are or who we want to be or who we want others to think we are. 

We no longer take photographs to preserve memories, but to make them. The moment only exists for the photograph rather than the other way around. The albums are not tucked away on a shelf, dusty and largely overlooked, but public domain, open to approbation or censure. When we look back at our lives in photographs, will we be looking at our lives as they were, or as we made them? Is there even a difference?

They are overwhelming, all these photographs of people who are not ourselves, of moments that we were not part of. Why share the trivialities of our lives? The coffee cups, the clothing choices, the sandwich you made for lunch, the bottle of beer you drank, the record you bought, the book you read? Photographs on the internet are the equivalent of a stranger showing you the pictures of their kids that they have tucked into their wallets. Beautiful, you say, nodding. But you don't really care, because these are not your kids. This is not your life. 

We no longer want to remember so much as we want to be remembered. This is me, we say. This is the way I look and these are the people I know and the things I do. I want to feel like I have some control over a world that is increasingly out of my control. I want to feel like the things I do are valuable and valued. I want to feel like I am valuable and valued. I want you to like me. Look at me. Look at me.

Is this me? 














    






Jun 18, 2015

So here's the thing:

So here's the thing: People will judge you. Always. For all sorts of reasons: for your skin colour, your gender, how much money you have, who you fuck and how you fuck them, the clothes you choose to wear, your body shape, your occupation, your decision to have or not have children, etc. It's entirely up to you, as the individual, to say, yes, I accept that judgement and give you the power to make me feel less valuable, or, no, fuck you, this is me and to hell with you and your tabloid-media sense of value because I know that I am awesome. We all just need to make a concerted effort to not give a shit about other people's personal opinions of us and seek value from inside rather than outside. I used to think my grandmother was weird and embarrassing for walking around in public with two different socks. Now I salute her. To sum up: seriously, who gives a fuck? Work on making your own self the best self it can be and shut up about everyone else. As an aside, while on my bike ride today, I accidentally smushed a caterpillar because I saw him too late, but then two seconds later a bug flew up my nose and lodged itself in my nasal cavity. Riot on.

Mar 18, 2015

Warm Nights in Strange Cities: Costa Rica

The mist rising through the mountains and every shade of green, emerald and hunter and lime and forest and fern and kelly and jungle. Riotous eruptions of bright pink and brilliant orange and bold blue. A waving crab in the middle of the road welcomes us.

Flower-coloured paint on poured concrete walls and rusty corrugated tin roofs with swatches of brightly-coloured fabric covering barred screened windows. A dirt yard and a worn armchair out front for sitting and watching the road. Satellite dishes and the glow of television screens in the dark.

The roar of the howler monkeys from the black depths of the rainforest, the torture and anguish of a thousand helpless souls. The constant electric insect hum and the cheeps and chirps of bats and birds and monkeys. The dings and mews of tree frogs. The chirrup of the geckos that live in the Big House with us, the way they laugh at our jokes at night while we drink cheap red wine from Argentina and battle for the presidency with a deck of soggy playing cards.

Hummingbirds zip from blossom to blossom in the morning sunshine. Leaf cutter ants march down the trunks of trees and over the path to the beach. The golden orb weaver waits patiently in her web. Crabs of many colours, orange and blue and black and brown and yellow, slip out of sight when we approach.

Brush cutters and machetes and the endless attempt to tame the jungle and keep it from invading the scars made by man. Potholes and gravel and hot asphalt and the never-ending road work of brown-skinned men in yellow shirts and orange vests as a brown-and-white mutt, her belly swollen with a litter of unborn road dogs, supervises.

The road dogs themselves, all manner of size, colour, and breed, alone or in pairs, loping casually or running purposefully down the road to Manzanillo or all the way back to San Jose for all we know. For two nights in a row, a smelly road dog ambles silently up the jungle path to the Big House out of the dark. She rejects our meager offering of half a granola bar and some fresh water; she wants only to be scratched under her smelly chin and behind her smelly ears. She lies down on the mat where the door would be if the Big House had a door, sighs contentedly, and goes to sleep, where she dreams, I imagine, of roads.    

Battling Caribbean waves in the soft rain, the resistance of my muscles against the pull of the undertow, laughter tempered with that instinctual ocean fear, the taste of salt on my lips, salt stinging my eyes. Sand-coloured crabs creeping out from their holes when I sit quietly on a piece of rotting driftwood in the morning listening to the crashing of the waves as the beach comes alive with their wary sideways scuttling.

School children in bright green shirts, the colour of the rainforest, waiting at the bus stop at 6 a.m. Tourists wearing bikini tops riding rented bicycles without helmets. Ticos on scooters, heedless of oncoming trucks or tourists riding rented bicycles, darting over bridges and between the semi-trailers carrying loads of bananas.

Forests of bananas hanging in protective blue bags. The desire to steal one, to pick just one perfect ripe banana from a banana tree instead of from a bunch in a bin at the grocery store.

We coo over a sleepy two-fingered sloth hidden in a blanket nest, her tiny pig nose and tiny pink tongue as I offer her a fuchsia flower. We take photographs of orphaned baby three-fingered sloths, barely bigger than my hand, tiny smiling buddha brothers who fill me with joy. Our guide explains how he takes the young ocelot out into the jungle every day to hunt spiders and lizards and grow wild enough to spend his life in the rainforest where he belongs, how already the cat sneaks up behind him and attacks his neck; we are lucky to be here, lucky to touch this wild creature. We play with baby howler monkeys on a baby jungle gym and one of them leaps onto my head and sucks my finger. We cuddle capuchins and spider monkeys and howler monkeys and feed them from bottles and offer them pieces of broccoli. They use us as springboards to jump and swing.

We put on rubber boots and tromp through the mud of the rainforest after dark armed with weak flashlights in search of frogs and spiders and snakes and other scary things, but we make sure we are back by 9:30, when the really dangerous things, the fer-de-lance and the pit viper and the jaguar, come out to hunt.  

We enjoy steak chimichurri at La Refugio, rice and beans and Caribbean chicken at the Cool and Calm Cafe, ahi tuna at Jungle Love, pina coladas at Koki Beach, whole red snapper and lobster and rondon and chicharrones and chifrijo and fresh coconut that we smash ourselves.

A night-time visit from an opossum, who smells our bananas even through the plastic container we keep them in; his tail is immeasurably long and hairless, a giant raccoon-rat nonplussed by our presence. The death of a vibrant blue ortho butterfly. The theft of a bag of chips from unsuspecting picnickers by a cheeky white-faced capuchin on the Cahuita trail.

 A Jesus lizard says a Hail Mary and leaps from a vine in front of our canoe and skips miraculously across the water to the shore. A gust of wind shakes the tops of the trees and sends a shower of orange petals raining softly down on us. Buttercup, the wise old sage, wraps her strong sloth arm around her neck and screams.

Overflowing garbage bins and a breakfast club of vultures in Puerto Viejo at dawn. A magical glen like something out of a fairy tale, the grazing horses hiding their unicorn horns and pegasus wings from human eyes as we drive past on our way home.





Mar 12, 2015

9 Cool Things That I Experienced in Costa Rica

Here is a list of 9 cool things that I experienced during my Costa Rican vacation that I would like to share with you (mostly because I dropped the camera in the sand and cannot inundate you with vacation photos until I get it fixed, so you will have to deal with words even though I know it's not the cool way to do things anymore):
1. I didn't get to pop my snorkeling cherry due to the crashing Caribbean waves, which was kind of a drag, but I did get to scratch "get pretty close to baby sloths" off that list I wrote a few months ago. And by "close" I mean "as close as humanly possible to get without a Jaguar Rescue Center attendant reprimanding me because holy fuck is a three-fingered sloth who is only as big as my hand the cutest goddamn thing in the history of cute goddamn things." The three-fingered (not toed, you ignoramus) variety are much tinier than I had expected. Even Buttercup, the celeb sloth at the Sloth Sanctuary, was smaller than my cat, and Buttercup is 22 years old. I could talk about how happy hanging out with sloths made me for the next 8 items, but I'll stop now. Sloth videos ain't got nuthin' on the real thing. (As in everything in life, really.)
2. After an insanely long day of travelling, including a 6.5 hour drive from San Jose to Manzanillo, we arrived at Congo Bongo. Our house was in the middle of the rain forest and the only walls were in the bedrooms and bathroom (and even those had windows with screens but no glass), which, when you are arriving in the jungle in the middle of the night, exhausted and road-weary, is rather a shock. I knew it would be open, but this was REALLY open. After crawling into our mosquito-netted bed, amid the various cheeps and chirps of frogs and birds and bats and the constant electric insect hum, we heard the sound of the torture and anguish of a thousand souls trapped in purgatory, a booming, bone-deep howl that came straight from hell and reverberated throughout the jungle, lasting for at least fifteen minutes and scaring the shit out of us. (I had heard the call of howler monkeys on my previous visit to Costa Rica, but this was something out of a horror movie. I wish I had recorded it.) Despite the unceasing sounds of the jungle at night, we somehow managed to sleep.
3. During our week-long stay, we were visited by a bat, chirruping lizards, an agouti, giant ants, an opossum who tried to abscond with our bananas, various beetles, spiders, hummingbirds, a giant iridescent blue butterfly who died, and one really smelly road dog who crashed on our porch for a couple of nights.
4. On our walks (and one canoe ride) through the jungle, we saw frogs, snakes, spiders, sloths, howler monkeys, squirrel monkeys, capuchins, a cayman, crabs of many colours, a raccoon, and a Jesus lizard leap from a vine and splash his way across the water to the shore.
5. I got to pet an ocelot. Let me repeat that: I got to pet an ocelot. On the same day that I hung out with teeny baby sloths. Best day of my life, probably.
6. A baby howler monkey jumped on my head and sucked on my finger, and a toucan sat in Ryan's lap.
7. I bottle-fed and played with howler and capuchin monkeys.
8. An elusive dark-eyed tree frog leapt at me in the dark and landed on my hand (which was holding the camera); I shrieked. Earlier, I stood on a narrow footbridge over a pond in the black night with my eyes closed and used bio-acoustics, aka my ears, to become one with the rain forest.
9. I fought the waves of the Caribbean Sea and felt the pull of the undertow and was reminded of the power of nature.
These are the sorts of things that can happen to you in Costa Rica. You should go if you get the chance. Pura vida, and riot on.

Jan 14, 2015

Dirty Cotton

Sometimes when I'm feeling lazy, or if garbage day is only a couple of days away, I won't empty the garbage can in the bathroom. I'll just add to the pile and hope it doesn't topple. Kleenexes stuck together with dried mucus, Q-tips yellowed with ear wax or blackened with smudged mascara, eyeliner shavings, pink pantiliner wrappers, strings of ragged dental floss, cotton pads like a painter's palette, red or blue or purple, wispy bird's nests of copper hair plucked from a brush, a flattened tube of Colgate Total fresh mint gel, used paper towels from wiping the toothpaste spots off the mirror. The evidence of life, an overflowing bathroom garbage can of dirty cotton.